About The Studio
With decades of experience and a passion for pushing creative boundaries, Signals to Noise Lab has become a trusted partner for musicians and creators worldwide. Known for delivering exceptional results, the studio continues to grow as a hub for unique and inspiring soundscapes.
Signals to Noise Lab was founded in 2010 with a passion for sound and a dedication to creativity, offering a space where musical ideas come to life through cutting-edge technology and decades of experience. The studio combines the charm of vintage equipment with modern digital tools, making it a haven for both artists and producers seeking unique and exceptional soundscapes.
At the heart of the studio is an impressive array of equipment designed to bring any musical vision to life. Signals to Noise Lab features industry-standard recording devices like the Universal Audio Apollo 2 QUAD and the MOTU 828 mkII, complemented by the warmth of a Tascam 38 8-track reel-to-reel tape recorder. Monitoring is handled by Alesis M1 mkII active near-field monitors and premium headphones from Beyerdynamic and AKG, ensuring pristine accuracy throughout the production process.
The studio’s keyboard and synthesizer collection is a treasure trove of possibilities, ranging from the analog warmth of the legendary Moog ‘The Source’ to the futuristic capabilities of the Access Virus TI2, Korg Prophecy, Korg Trinity and the orange beast: Waldorf XTK. Other highlights include the iconic Roland JD-800 synthesizer and samplers like the E-MU E6400 ULTRA and Kurzweil K2000RS, offering endless opportunities for sound creation and manipulation.
Complementing the instruments are high-quality microphones like the AKG Solidtube and Rode M5 stereo condensers, also the classic dynamics Shure SM58 and Shure SH55 as well. For podcasts and videocasts we are using Rode wireless GO II and Sennheiser EW G4 Mikroport system for discrete and professional sound recording. For the processing tools mainly used by the Universal Audio vast library, supported by Focusrite Voicemaster Pro and TC Helicon VoiceWorks, perfect for crafting vocals with precision and depth. Unique items like a “Speak and Spell” talking synthesizer add an innovative edge to the studio’s capabilities.
At Signals to Noise Lab, creativity and expertise are the most important tools. With an inspiring blend of vintage and modern equipment, the studio is a space where music thrives, offering artists and producers an environment to explore, create, and bring their vision to life with unmatched quality.
János Szöllősi
Janó is a seasoned sound engineer, producer, and musician with nearly three decades of experience in sound design and production. His journey began with classical training on cello and double bass, later transitioning to electronic music after acquiring a Roland JX-3P in 1995.
He has worked internationally, managing bands like The Invisibles, and currently produces for Red Carpet Sins and Vikis and the Flow. With advanced training from SAE London and a studio equipped with cutting-edge technology, Janó delivers exceptional results across diverse projects for all genres.
I was born in 1977 in Zalaegerszeg, Hungary. Music has been a defining part of my life since childhood. At the age of eight, I began learning the cello and double bass, which quickly led to performing with several symphony orchestras over the next 12 years. These formative experiences immersed me in the discipline and beauty of classical music, setting the stage for my lifelong passion for sound.
Everything changed in 1995 when I purchased my first synthesizer, a Roland JX-3P. This moment sparked a fascination with the creation of sound itself—its waves, filters, oscillators, and envelopes. My curiosity turned into a lifelong journey of learning, acquiring equipment, and perfecting my craft. From those early experiments, I knew that sound design and production would be more than just a hobby; it was my true calling.
Throughout my career, I’ve had the privilege of working with and managing several bands in different countries, including Prophets, Rewans, The Invisibles, Terra, E.G.O., and The Faces of Sarah in the UK. Currently, I work as a music producer for Red Carpet Sins and Viki and the Flow, collaborating closely with these projects to craft their distinctive sound. These opportunities allow me to combine my technical expertise with my passion for creative storytelling through music.
Living and working in the United Kingdom for six years further deepened my connection to the international music scene. While there, I attended several open courses at SAE London, an experience that broadened my technical knowledge and introduced me to cutting-edge techniques in audio engineering.
In addition to my band and production work, I’ve spent decades curating a personal studio filled with top-tier equipment that reflects my commitment to excellence. My studio has become a hub for creative sound exploration, and I am always striving to push the boundaries of what’s possible. My work is driven by an unwavering pursuit of quality, and I pride myself on delivering results that exceed expectations.
Although my foundation is rooted in classical music, my career has spanned a broad spectrum of styles, from electronic music to live instrumentation. I love the challenge and variety this brings to my work. Each project presents a unique opportunity to connect with artists and producers, helping them bring their visions to life.
Music and sound are more than my profession; they are my passion. Over the years, I’ve dedicated myself to continually learning and evolving, whether it’s by experimenting with new gear, exploring different musical genres, or refining my techniques. I am always excited to collaborate with others, drawing on my rich and varied experience to create something truly special.
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